![]() ![]() (Jackson Pollock: /wikipedia/ en/b/b7/Jackson-Pollock.jpg) For example, short, uneven staccato lines may be read as impatient, or lacking in confidence or grace. Gesture is the line produced by the movement of the artist’s hand, arm, or body, of a kind of dance with the material, as can be seen in this photograph of Jack- son Pollock in the midst of painting. In many writing cultures, the beauty of the script is as important as the message the script contains. A tughra, or the calligraphic sig- nature of a sultan, and the re- fined text of Arabic calligraphy are renowned for their expres- sive beauty, as are many works of Asian script. Second, the manner in which the figure is created can be seen as expressive in itself. First, the linear figure or shape of a written symbol denotes its meaning. The character of line in writing has two main functions. Calligraphy, or “beauti- ful writing,” is one popular use of line. All kinds of objects are linear, or predominantly formed by using lines. The direction of a line may be straight (unchanging) or curved (changing). A line is an infinite series of points that are arranged in a direction. Line is the first order element of design. Here is a brief explanation of the definition and dynamics of each element of design. They can introduce texture, and they can introduce color. In addition to the three dimensions of physical space, there are two more things artists can incorporate into a given work. ![]() In moving from points to volumes, we have “walked up the ladder” of dimension from zero to three. A form with mass or volume has three dimensions, length, height, and width. A shape has two dimensions, length and height. Mathematically, a point has zero dimensions. Our perceived world has three dimensions of space and one of time. One way to think of these elements of design is to “walk up the ladder” of dimension. There are six basic elements of design: line, shape, mass/volume, perspective, texture, and color. Further, looking at the way in which various parts of a work of art are arranged-even an intuitive or accidental work-can reveal clues to the goals and beliefs of the artist, the community in which the artist has worked, and the problems the work of art was meant to address. It is rare to find a work of art that is entirely accidental or has come wholly out of the unconscious intuition of an artist. \)Ī design is a governing plan or approach by which various parts of an artwork are created and assembled. ![]()
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